NEWS · OTHER · #2525
BBC’s Blue Planet III leaves imperfect shots to signal authenticity in AI era
BBC’s Blue Planet III is deliberately keeping less-than-perfect footage — for example plankton-filled water or boats in frame — to show the footage is real and to avoid the overly polished look associated with AI generation. Executive Producer Elizabeth White told The Guardian the production chose to retain such imperfections to present a more organic view of the oceans; the series features sequences like dolphins using sponges, inter-species fish communication, and 200,000 crabs feeding in formation.
KEY POINTS
- BBC’s Blue Planet III is deliberately keeping less-than-perfect footage — for example plankton-filled water or boats in frame — to show the footage is real and to avoid the overly polished look associated with AI generation.
- Executive Producer Elizabeth White told The Guardian the production chose to retain such imperfections to present a more organic view of the oceans; the series features sequences like dolphins using sponges, inter-species fish communication, and 200,000 crabs feeding in formation.
- It shows how worries about AI-generated visuals are already influencing editorial and production choices in factual media, affecting trust signals for audiences.
WHY IT MATTERS
It shows how worries about AI-generated visuals are already influencing editorial and production choices in factual media, affecting trust signals for audiences.